Dracula: With a New Introduction
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From Arnold Paul, an allegedly real vampire of the sixteenth-century, to Lord Byron's physician Dr John Polidori who created the vampire Lord Ruthven, to Camilla, Brunhilda and Varney, who all made their contributions to our picture of the vampire, the picture was completed by Dracula when it was published in 1897. Tina Rath explores our impressions of vampires throughout the ages in books, on stage and on screen, as well discussing the origins of Bram Stoker's Dracula.
Dracula is probably the best-known, least-read horror novel in the English (or possibly any other) language. Say ‘Dracula’ and we all know what we mean: the handsome Master Vampire with sleek dark hair forming a widow’s peak on his forehead, a black cloak, possibly lined with red silk, over faultless evening dress, fangs and photophobia. What we will almost certainly not visualise is Stoker's vision of Dracula. Tina explains why.
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Abraham "Bram" Stoker (8 November 1847 – 20 April 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.
Tina Rath gained her doctorate from London University with a thesis on The Vampire in Popular Fiction and her MA with a dissertation on The Vampire in the Theatre. She has lectured on vampires for the Fortean Times Unconvention, and for various societies including a Pagan Group, Talking Stick, for Westminster University, the literary society at Newcastle University, and at Salford University. She has also made a number of radio and television appearances to talk about vampires, most recently on Woman's Hour discussing their particular sexual attraction for women.
