The action of the play and also its setting (a landscape garden designed after the fashion of the time to provide artificial wildness and ‘commanding’ views) give ample scope for Garrick and Coleman to satirize the mercantile mind—yet the play’s comic spirit holds appeal to those on all points of the political compass. First produced in 1766, The Clandestine Marriage was revived to great acclaim in 1995 in a London production starring Nigel Hawthorne.
Full-length plays of the late eighteenth century were usually performed together with short plays (or ‘afterpieces’) to form a full evening of entertainment. In accordance with that tradition this edition is completed by two of the most interesting examples of the genre: Charles Burney’s The Cunning-Man (which in fact was several times performed alongside The Clandestine Marriage during the 1766-67 season) and The Rehearsal; or Bayes in Petticoats by Catherine Clive (who played Mrs. Heidelberg in the original production of The Clandestine Marriage).
Noel Chevalier who holds a doctorate from Queen’s University, now teaches English at Luther College, University of Regina. He is a specialist in eighteenth- and early nineteenth-century drama and fiction.