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Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.
Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts a...
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Vlad Strukov is Associate Professor at the University of Leeds, specialising in world cinemas, digital media and cultural theory
Vlad Strukov is Associate Professor at the University of Leeds, specialising in world cinemas, digital media and cultural theory
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