Cherie Fisbeck is a Seattle-based street photographer, writer, and educator whose work explores the quiet choreography of everyday public life. For over two decades she has hunted the city's light — the raking edges of late afternoon, the reflections in storefront glass, the rhythm of commuters crossing a square — to build photographs that balance decisive gesture with deliberate structure. Her photographs have been exhibited in galleries and juried shows across the Pacific Northwest, including solo and group exhibitions in Portland, Spokane, and Seattle, and her essays on seeing, composition, and the ethics of the candid frame have appeared in photography journals and on her long-running teaching newsletter, *Frame by Frame*.
A passionate advocate for the craft, Fisbeck has led street photography workshops, portfolio reviews, and public walkshares for universities, camera clubs, and photography centers throughout North America, where her students learn to read light, build layered frames, and find their own voice amid the noise of the street. She believes the camera is an instrument of attention first and a tool of capture second — a belief that shapes both her images and her teaching. Her project *Waiting for Rain* chronicles a year of Seattle weather and the strangers who lived through it, and she is currently at work on a long-form series about transit stations after midnight. When she is not photographing, she is likely re-reading collected works of Saul Leiter and defending the importance of the ordinary. She lives in Seattle with a large collection of umbrellas and no shortage of gray skies to photograph