Benjamin
āļĄāļĩ.āļ. 2026 · Benjamin āđāļĨāđāļĄāļāļĩāđ 1 · āļāļēāļĒāđāļāļĒ Simon and Schuster
eBook
104
āļŦāļāđāļē
Bubble Zoom
family_home
āļĄāļĩāļŠāļīāļāļāļīāđ
info
āđāļāļĩāđāļĒāļ§āļāļąāļ eBook āđāļĨāđāļĄāļāļĩāđ
IN ONE L.A. MOTEL ROOM, A COSMIC QUEST IS ABOUT TO BEGIN . . .
More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Over the course of 44 novels and hundreds of short storiesâincluding the counterculture classic The Man They Couldnât EraseâCarp pushed the boundaries of literary respectability for the sci-fi genre and his readersâ perception of reality itself . . . until decades of amphetamine abuse and Southern California excess finally ended a mind-bending career that always just escaped mainstream success. He died in 1982.
Until 2025 . . . when Benjamin J. Carp awakens, alive, in a burned-out motel on the fringes of Los Angeles. He remembers dying. He knows he shouldnât exist. Is he a dream? A robot? A ghost? A clone? A simulation? In his own time, Carp pondered all of these scenarios through his fictionâand now, as he treks from Studio City to Venice Beach and onward into the paranoid sprawl of 21st-century Los Angeles, he will be called to investigate his greatest mystery yet: himself.
From Edgar Award nominee and Philip K. Dick Award winner Ben H. Winters (ECâs Cruel Universe, The Last Policeman trilogy) and rising star Leomacs (ECâs Epitaphs from the Abyss, Ghostlore) comes a uniquely fascinating and hilariously deranged excursion into the metatextual nexus where existence and oblivion, past and future, genius and madness, and glitter and grim reality all meet just beyond Hollywood Boulevard.
More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Over the course of 44 novels and hundreds of short storiesâincluding the counterculture classic The Man They Couldnât EraseâCarp pushed the boundaries of literary respectability for the sci-fi genre and his readersâ perception of reality itself . . . until decades of amphetamine abuse and Southern California excess finally ended a mind-bending career that always just escaped mainstream success. He died in 1982.
Until 2025 . . . when Benjamin J. Carp awakens, alive, in a burned-out motel on the fringes of Los Angeles. He remembers dying. He knows he shouldnât exist. Is he a dream? A robot? A ghost? A clone? A simulation? In his own time, Carp pondered all of these scenarios through his fictionâand now, as he treks from Studio City to Venice Beach and onward into the paranoid sprawl of 21st-century Los Angeles, he will be called to investigate his greatest mystery yet: himself.
From Edgar Award nominee and Philip K. Dick Award winner Ben H. Winters (ECâs Cruel Universe, The Last Policeman trilogy) and rising star Leomacs (ECâs Epitaphs from the Abyss, Ghostlore) comes a uniquely fascinating and hilariously deranged excursion into the metatextual nexus where existence and oblivion, past and future, genius and madness, and glitter and grim reality all meet just beyond Hollywood Boulevard.
IN ONE L.A. MOTEL ROOM, A COSMIC QUEST IS ABOUT TO BEGIN . . .
More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Over the course of 44 novels and hundreds of short storiesâincluding the counterculture classic The Man They Couldnât Eras...
āļŠāļģāļĢāļ§āļāļŦāļāļąāļāļŠāļ·āļāđāļĨāđāļĄāļāļ·āđāļāđ
āđāļāļĩāđāļĒāļ§āļāļąāļāļāļđāđāđāļāđāļ
Ben H. Winters is the New York Times best-selling, Edgar Awardâwinning, and Philip K. Dick Awardâwinning author of Big Time, The Quiet Boy, Golden State, Underground Airlines, the Last Policeman trilogy, and the mash-up novel Sense and Sensibility and Sea Monsters. Ben has also worked extensively in television. He is the creator of the smash-hit CBS show TRACKER and has served as a writer/producer on the FX cult hit Legion as well as Manhunt on Apple TV+, and he is the creator of the upcoming CBS drama Tracker. He lives in Los Angeles with his wife, three kids, and one large dog.
Leomacs is an Italian comic book artist based in Rome, Italy. In Italy, Leomacs has worked extensively for Sergio Bonelli Editore drawing Tex and Dylan Dog. For DC Comics, he has recently collaborated on Lucifer and the seven-part Hill House Comics thriller Basketful of Heads written by Joe Hill. He has drawn the French graphic novel The Invisible Mountain, written by Pierre Makyo and FrÃĐdÃĐric Richaud, published by Delcourt. Leomacs and Riccardo La Bella collaborated on the graphic novel Apprendre à maÃŪtriser son destin, MÃĐmoire Vive written by Pierre Makyo for GlÃĐnat ÃĐdition. Leomacs has collaborated as a storyboard artist with Colingwood & Co. for the animated series Horrid Henry. He has also realized storyboards and animated sequences for the film Nessuno mi troverÃĄ directed by Egidio Eronico.
Leomacs is an Italian comic book artist based in Rome, Italy. In Italy, Leomacs has worked extensively for Sergio Bonelli Editore drawing Tex and Dylan Dog. For DC Comics, he has recently collaborated on Lucifer and the seven-part Hill House Comics thriller Basketful of Heads written by Joe Hill. He has drawn the French graphic novel The Invisible Mountain, written by Pierre Makyo and FrÃĐdÃĐric Richaud, published by Delcourt. Leomacs and Riccardo La Bella collaborated on the graphic novel Apprendre à maÃŪtriser son destin, MÃĐmoire Vive written by Pierre Makyo for GlÃĐnat ÃĐdition. Leomacs has collaborated as a storyboard artist with Colingwood & Co. for the animated series Horrid Henry. He has also realized storyboards and animated sequences for the film Nessuno mi troverÃĄ directed by Egidio Eronico.
Ben H. Winters is the New York Times best-selling, Edgar Awardâwinning, and Philip K. Dick Awardâwinning author of Big Time, The Quiet Boy, Golden State, Underground Airlines, the Last Policeman trilogy, and the mash-up novel Sense and Sensibility and Sea Monsters. Ben has also worked extensively...
āđāļŦāđāļāļ°āđāļāļ eBook āļāļĩāđ
āđāļŠāļāļāļāļ§āļēāļĄāđāļŦāđāļāļāļāļāļāļļāļāđāļŦāđāđāļĢāļēāļĢāļąāļāļĢāļđāđ
āļāđāļāļĄāļđāļĨāđāļāļāļēāļĢāļāđāļēāļ
āļŠāļĄāļēāļĢāđāļāđāļāļāđāļĨāļ°āđāļāđāļāđāļĨāđāļ
āļāļīāļāļāļąāđāļāđāļāļ Google Play Books āļŠāļģāļŦāļĢāļąāļ Android āđāļĨāļ° iPad/iPhone āđāļāļāļāļ°āļāļīāļāļāđāđāļāļĒāļāļąāļāđāļāļĄāļąāļāļīāļāļąāļāļāļąāļāļāļĩāļāļāļāļāļļāļ āđāļĨāļ°āļāđāļ§āļĒāđāļŦāđāļāļļāļāļāđāļēāļāđāļāļāļāļāļāđāļĨāļāđāļŦāļĢāļ·āļāļāļāļāđāļĨāļāđāđāļāđāļāļļāļāļāļĩāđ
āđāļĨāđāļāļāđāļāļāđāļĨāļ°āļāļāļĄāļāļīāļ§āđāļāļāļĢāđ
āļāļļāļāļāļąāļāļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļāļāļĩāđāļāļ·āđāļāļāļēāļ Google Play āđāļāļĒāđāļāđāđāļ§āđāļāđāļāļĢāļēāļ§āđāđāļāļāļĢāđāđāļāļāļāļĄāļāļīāļ§āđāļāļāļĢāđāđāļāđ
eReader āđāļĨāļ°āļāļļāļāļāļĢāļāđāļāļ·āđāļāđ
āļŦāļēāļāļāđāļāļāļāļēāļĢāļāđāļēāļāļāļāļāļļāļāļāļĢāļāđ e-ink āđāļāđāļ Kobo eReader āļāļļāļāļāļ°āļāđāļāļāļāļēāļ§āļāđāđāļŦāļĨāļāđāļĨāļ°āđāļāļāđāļāļĨāđāđāļāļĒāļąāļāļāļļāļāļāļĢāļāđāļāļāļāļāļļāļ āđāļāļĢāļāļāļģāļāļēāļĄāļ§āļīāļāļĩāļāļēāļĢāļāļĒāđāļēāļāļĨāļ°āđāļāļĩāļĒāļāđāļāļĻāļđāļāļĒāđāļāđāļ§āļĒāđāļŦāļĨāļ·āļāđāļāļ·āđāļāđāļāļāđāļāļĨāđāđāļāļĒāļąāļ eReader āļāļĩāđāļĢāļāļāļĢāļąāļ
