Be Not Afraid
آبان ۲۰۲۵ · Be Not Afraid شماره نسخه 3 · Boom! Studios
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درباره این ای-کتاب
If Jordy is the disease, then Cora must find the cure—after all, Jordy was born evil. Who is there to blame but his mother?
Jordy’s life has been painted by death and decay. In his childhood, it disturbed him. Now a young adult, he relishes the chaos that follows him and its horrifying effects on the people of Enoch.
Cora is desperate for an end to their suffering. Jordy’s mere existence puts them all in greater danger than Cora could have ever imagined. Mr. Phim has a plan to help her put a stop to all of it, but Cora doesn’t want the responsibility.
Jordy’s life has been painted by death and decay. In his childhood, it disturbed him. Now a young adult, he relishes the chaos that follows him and its horrifying effects on the people of Enoch.
Cora is desperate for an end to their suffering. Jordy’s mere existence puts them all in greater danger than Cora could have ever imagined. Mr. Phim has a plan to help her put a stop to all of it, but Cora doesn’t want the responsibility.
If Jordy is the disease, then Cora must find the cure—after all, Jordy was born evil. Who is there to blame but his mother?
Jordy’s life has been painted by death and decay. In his childhood, it disturbed him. Now a young adult, he relishes the chaos that follows him and its horrifying effects ...
کاوش موارد بیشتر
درباره نویسنده
Jude Ellison S. Doyle (they/he) is the author of Trainwreck: The Women We Love to Hate, Mock and Fear... and Why (Melville House, 2016) and Dead Blondes and Bad Powers: Monstrosity, Patriarchy and the Fear of Female Power (Melville House, 2019). Their columns on gender, power and pop culture have appeared at GEN, Elle, the Guardian, the Atlantic, and all over the Internet. This is their first comic book.
Jude Ellison S. Doyle (they/he) is the author of Trainwreck: The Women We Love to Hate, Mock and Fear... and Why (Melville House, 2016) and Dead Blondes and Bad Powers: Monstrosity, Patriarchy and the Fear of Female Power (Melville House, 2019). Their columns on gender, power and pop culture have...
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