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The essays in this volume critically engage with postcolonial theories which posit that a self-valorizing, unmediated west dictated the colonial encounter, repressing native voices that must be recovered. Unlike western imperialists and their colonial subjects, Americans and Russians long co-existed in a tense parity, regarding each other as other-than-European equals, sometime cultural role models, temporary allies, and political antagonists. In examining the fiction, film, journalism, treatises, and histories Americans produced out of their ‘Russian experience,’ the contributors to this volume closely analyze these texts, locate them in their sociopolitical context, and gauge how their producers’ profession, politics, gender, class, and interaction with native Russian interpreters conditioned their authored responses to Russian/Soviet reality. The volume also explores the blurred boundaries between national identities and representations of self/other after the Soviet Union’s fall.
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Choi Chatterjee is Professor of History at California State University, Los Angeles. She is the author of Celebrating Women: Gender, Festival Culture and Bolshevik Ideology, 1910-1939 (2002), and co-author of the volume, The Twentieth Century: A Retrospective (2002). She is currently working on a history of American Communist women and their formative experiences in the Soviet Union.
Beth Holmgren is Professor and Chair of Slavic and Eurasian Studies at Duke University. She has recently published a cultural biography of the great nineteenth-century Polish/American actress, Starring Madame Modjeska: On Tour in Poland and America (2012). She is currently working on a history of the interwar literary cabaret in Poland.
