Visual Culture
Aug 2020 · MIT Press
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About this ebook
As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction.
The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so.
The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so.
As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction.
The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art,...
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About the author
Alexis L. Boylan is Associate Professor in the Art and Art History Department and the Africana Studies Institute at the University of Connecticut. She is the author of Ashcan Art, Whiteness, and the Unspectacular Man.
Alexis L. Boylan is Associate Professor in the Art and Art History Department and the Africana Studies Institute at the University of Connecticut. She is the author of Ashcan Art, Whiteness, and the Unspectacular Man.
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