The Poetry of Pop

· Yale.ORIM
Ebook
425
Pages
Eligible

About this ebook

A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond.
Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n' roll to today's hits. George and Ira Gershwin's "Fascinating Rhythm." The Rolling Stones' "(I Can't Get No) Satisfaction." Rihanna's "Diamonds." These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.
A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond. Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely d...

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About the author

Adam Bradley is professor of English and founding director of the Laboratory for Race & Popular Culture (RAP Lab) at the University of Colorado Boulder. He is the author of Book of Rhymes: The Poetics of Hip Hop and coeditor of The Anthology of Rap.
Adam Bradley is professor of English and founding director of the Laboratory for Race & Popular Culture (RAP Lab) at the University of Colorado Boulder. He is the author of Book of Rhymes: The Poetics of Hip Hop and coeditor of The Anthology of Rap.

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