Monday Starts on Saturday
About this audiobook
Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers, who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy.
The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings—a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, a motorcycle that can zoom into the imagined future, a lazy dog-sized mosquito—along with a variety of wizards (including Merlin), vampires, and officers.
First published in Russia in 1965, Monday Starts on Saturday has become the most popular Strugatsky novel in their homeland. Like the works of Gogol and Kafka, it tackles the nature of institutions—here focusing on one devoted to discovering and perfecting human happiness. By turns wildly imaginative, hilarious, and disturbing, Monday Starts on Saturday is a comic masterpiece by two of the world’s greatest science fiction writers.
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About the author
Arkady Strugatsky (1925–1991) was drafted into the Soviet army and trained at the Military Institute of Foreign Languages in Moscow, from which he graduated in 1949 as an interpreter of English and Japanese. He worked as a teacher and interpreter for the military until 1955, when he began to work as an editor and writer. In 1958 he began to collaborate with his brother, Boris. Along with his brother, he is one of the most famous and popular Russian writers of science fiction. Together they wrote twenty-five novels and novellas, and their books have been widely translated and made into a number of films.
Boris Strugatsky (1933–2012) worked as an astronomer and computer engineer until 1966, when he became a full-time writer. Along with his brother, Arkady, he is one of the most famous and popular Russian writers of science fiction. Together they wrote twenty-five novels and novellas, and their books have been widely translated and made into a number of films.
Andrew Bromfield was born in Hull in Yorkshire, England, and for long periods has lived in Moscow, where he cofounded and edited the literary journal Glas. He now lives and works in rural Surrey. Bromfield has translated into English works by Boris Akunin, Sergei Lukyanenko, Mikhail Bulgakov, Daniil Kharms, Leo Tolstoy, and the Strugatsky brothers, but is perhaps best known for his acclaimed translations of the stories and novels of Victor Pelevin, including The Life of Insects, Buddha’s Little Finger, and Homo Zapiens.
Adam Roberts is a staff correspondent for the Economist. For four years he was the publication’s Johannesburg bureau chief, reporting from Madagascar, Congo, South Africa, Ethiopia, Sierra Leone, and—illegally—from Zimbabwe, as well as from many areas in between. He has also reported from Southeast Asia, the Balkans, Europe, and the United States. A former student of international politics at Oxford University and the London School of Economics, he is now based in London.
Ramiz Monsef has spent several seasons as a member of Oregon Shakespeare Festival’s acting company, and he is the playwright of OSF’s 2013 production The Unfortunates. He has also appeared onstage in New York and in numerous regional productions.
