ANCIENT as well as modern philosophers, most beloved reader, and devoted seeker after true wisdom, when through the grace of God they had reached the goal of their desires, have endeavoured to make their discovery known to their fellow inquirers in all parts of the world—not only because they wished to inform them that the thrice great and good God had enlightened their minds, blessed the labours of their hands, and shewn to them the greatest and most profound secret of earthly wisdom (for which benefit all praise, honour, and glory are justly due to Him)—but also that they might afford assistance to beginners in the Art, by which, with God's permission, they too might attain to the knowledge of this most holy mystery. Such men there have been in all countries. Amongst the Egyptians Hermes Trismegistus holds the highest place; then come Chaldæans, Greeks, Arabs, Italians, Gauls, Englishmen, Dutchmen, Spaniards, Germans, Poles, Hungarians, Hebrews, and many others. Though the aforementioned Sages wrote at different times, and in different languages, yet their works exhibit so marvellous an agreement, that any true philosopher may easily see that all their hearts had been gladdened by God in the discovery of this stone, and that they all had performed this work with their own hands. Now, as the truth of their views is perceived by their agreement, so the disagreement of certain others marks them as false philosophers. For, not knowing the foundation of this glorious Art, and making up fanciful theories out of their own heads, they exhibit their ignorance to all.
The aforesaid agreement exists in regard to the Matter, its solution, its weight, and the regulation and increase of the fire.
As concerns the Matter, it is one, and contains within itself all that is needed. Out of it the artist prepares whatever he wants. Its "Birth is in the sand," as the philosopher Anastratus says in "The Crowd": "Nothing is more precious than the red sand of the sea; it is the distilled moisture of the Moon joined to the light of the Sun, and congealed." That only this one substance is required is attested by Agadmon in the same book. He says: "Know that unless you take my body [sulphur] without the spirit [mercury] ye will not obtain what ye desire. Cease to think of many things. Nature is satisfied with one thing, and he who does not know it is lost."
In the same way Arnold, of Villa Nova, writes in his "Flower of Flowers"; "Our stone is made out of one thing, and with one thing." To the same effect he says to the King of Naples: "All that is in our stone is essential to it, nor does it need any foreign ingredient. Its nature is one, and it is one thing." And Rosinus says: "Know that the object of your desire is one thing, out of which all things are made." Lilium: "You have need only of one thing, which at any stage of our experiment can be changed into another nature." So Geber says in his "Summary": "Our stone is one, one medicine, to which we add nothing, from which we take nothing away, only removing that which is superfluous." Again, Scites in "The Crowd" says: "The essence of this Art is in like manner a certain one thing which is stronger and more exalted than all other things, and is called the most powerful acid, because it changes gold into a clear spirit, without which there is neither whiteness, nor blackness, nor redness. When the spirit is joined to the body it becomes one with it; and yet again becomes a spirit, and is saturated with the spiritual and unchangeable tincture, and thus again by combination receives a bodily tincture which cannot be annihilated. If you place the body without the acid over the fire, it will be burnt and destroyed." From these words of Scites the reader might conclude, that not one but two things, namely a body and an acid (as he calls it) are required, and that a liquid must be combined with a dry thing lest the dry thing should be consumed by the fire, in order that by the moist thing it may be preserved from such combustion. To such a conclusion, if rightly accepted, I gladly subscribe. But from the above mentioned philosophical dicta (however obscurely worded they may be) it is clearer than day that the substance of our Blessed Stone is one (although different sages call it by different names), and that Nature has made it ready to the hand of the adept, having willed this one thing, and no other thing in all the world, to be the material of the Stone.
This Matter lies before the eyes of all; everybody sees it, touches it, loves it, but knows it not. It is glorious and vile, precious and of small account, and is found everywhere. Theophrastus Paracelsus, in his book concerning "The Tincture of Physical Things," calls it the Red Lion, which is named by many, but known by few. Hermes, in the first chapter of his Treatise, calls it "Quick Silver coagulated in its innermost chambers." In the "Rosary of the Philosophers" it goes by the name of Salt. But, to be brief, our Matter has as many names as there are things in the world; that is why the foolish know it not. Foolish I call those who, without any previous knowledge of Nature and her properties, undertake to learn this Art, and come to it (as Arnold says) like the ass to the crib, not knowing for what they open their mouths. Hence it is well said by Geber, in the "Sum of Perfection": "He who has no elementary knowledge of Nature is far from a proper appreciation of this Art." And Rosarius says: "I advise no one to approach this Art unless he knows the principle and the regimen of Nature: if he be acquainted with these, little is wanting to him except one thing, nor need he put himself to a great expense, since the stone is one, the medicine is one, the vessel one, the rule one, the disposition one." Yet this one substance is so divided by the operation of Nature, and the skill of the Artist, that it is transmuted into our White Eagle, nor does the splendour of the sun illuminate more abundantly the spagyric matter with its beams; or, as Basilius Valentinus hath it, that, "thence is born a spirit white as scow, and another spirit red as blood, which two spirits are contained in a third hidden thing." Hence King Aros well says: "Our medicine is composed out of two things having one essence, namely, through the mercurial union of a solid and a liquid, a spiritual and a corporeal, a cold and a moist, a warm and a dry, and in no other way can it be made."
And Richard the Englishman says: "The stone is one, the medicine one, which, however, according to the philosophers, is called Rebis (Two-thing), being composed of two things, namely, a body and spirit [red or white]. But over this many foolish persons have gone astray, explaining it in divers ways." Rebis is two things, and these two things are one thing, namely, water joined to a body, by which the body is dissolved into a spirit, that is, mineral water, out of which it was first made; and this body and spirit make up one mineral water, which is called Elixir, that is to say, ferment; for then water and spirit are one thing, of which is composed a tincture and medicine for purging all bodies. And thus, according to the philosophers, we have the nature of sulphur and mercury above ground, while underground they become gold and silver. Bernard, Count of Trevisan and the March, says: Our work is performed by means of one root, and two crude mercurial substances, drawn and extracted from a mineral, pure and clear, being conjoined by the heat of friendship, as this matter requires, and carefully cooked until the two things become one thing," &c. Basilius Valentinus (Lib. Nat. et Supernal., c. 4) says: "I will make this known to thee in all truth [for the love of God], that the root of philosophic sulphur, which is a heavenly spirit, is united in the same material with the root of the spiritual and supernatural mercury, and the principle of spiritual salt—out of which is made the Stone, and not out of several things. That universal thing, the greatest treasure of earthly wisdom, is one thing, and the principles of three things are found in one, which has power to change all metals into one. The three things are the true spirit of mercury, and the soul of sulphur, united to spiritual salt, and dwelling in one body; they are dragon and eagle, king and lion, spirit and body, etc."
In this way our prepared material is also called male and female, active and passive. So Zimon says, in "The Crowd": "Know that the secret of the work consists in male and female, i.e., an active and a passive principle. In lead is found the male, in orpiment the female. The male rejoices when the female is brought to it, and the female receives from the male a tinging seed, and is coloured thereby." And Diomedes says: "Join the male child of the 'red servant' to the fragrant spouse, and they will produce the object of our Art. But you must not introduce any foreign matter, neither dust, nor any other thing. The conception will then be perfect, and a true son will be born. Oh, how precious is the nature of the 'red servant,' without whom nothing can be effected!" Others call it quicksilver, or mercury, and sulphur, or fire, as Roger Bacon says, in the third chapter of his "Mirror": "Out of sulphur and mercury are all metals, and nothing adheres to them, neither is joined to them, or transmutes them, but what is of them. And thus we must accept mercury and sulphur as the matter of the stone." So also Menabadus says: "He who joins quicksilver to the body of magnesia, and the woman to the man, extracts the secret essence by which bodies are coloured." Lullius in his "Codicil" says: "The property of our mercury is to be coagulated by its sulphur" And, in the Practice of his Testament: "The silver is a flowing moisture, floating above and preserving the whole from combustion."