Prologue – The Stethoscope That Fell Silent
I still remember the exact weight of a stethoscope around my neck. Not in grams—I never weighed it—but in meaning. That cool metal and rubber tubing was a passport. With it, I could enter rooms where people wept, where families prayed, where strangers handed me their terror like a coat they could no longer carry.
For twenty-three years, I was the one who listened for breath.
Not metaphorically. Literally. I placed the diaphragm against a hundred thousand chests. Children with croup, old men with emphysema, new mothers with pneumonia, teenagers whose lungs sounded like crumpled paper. I heard the wet crackle of infection, the hollow silence of collapse, the slow whistle of a life pulling itself toward an exit.
I never once thought I would need someone to listen for my breath.
This is not a book about fighting. You will find no triumphant drumroll here, no warrior narrative, no “cancer chose the wrong person” bravado. I am not a soldier. I was a doctor, and then I was a patient, and then I was something else entirely: a woman learning to stop.
The diagnosis came on a Tuesday. I remember because Tuesdays were my long clinic days. I had back-to-back appointments, a hurried sandwich at noon, and a dull ache behind my ribs that I told myself was indigestion. By 4pm, a colleague pulled me aside.
“Hollis, your scan.”
She didn’t finish the sentence. She didn’t have to.
That was eighteen months ago. I am writing this in a chair by a window that faces a small garden. The garden has a rose bush I never planted. The previous owner did. It blooms without permission every June, and I have stopped resenting its cheerfulness. There is a kettle beside me, cold most of the time now because lifting it tires me. My handwriting has changed. My voice, when I speak aloud, comes out softer than it used to.
I am not dying today. That’s a strange sentence to write. None of us is dying today, and all of us are. The difference is that I have been told a number. A median survival. A “we’ll treat it aggressively” and a “let’s hope for the best” and a quiet, terrible “do you have affairs in order?”
The stethoscope is in a drawer now. I cannot wear it anymore. The weight is wrong.
But I can still listen.
Listen to me. This is not a sad story. It is a story about breath—what it means to have it, what it means to lose it, and what remains when the last exhalation fades. Breath becomes memory. That is the alchemy I did not learn in medical school.
Let me begin where all doctors begin: wearing a white coat and believing, foolishly and wonderfully, that we have time.
Hollis Parr Enderby spent over two decades working as a doctor in the National Health Service, first in acute medicine and later in respiratory care. She trained in the north of England and spent most of her career at a large district general hospital, where she was known for her quiet manner and her refusal to rush a consultation. Colleagues said she had a gift for sitting with people in their hardest moments. She never thought of it as a gift. She thought of it as listening.
She was diagnosed with lung cancer in early 2019, after ignoring a persistent cough for several months. The diagnosis changed everything. She stepped away from clinical work and began writing, first in private notebooks and later in the pages of this memoir. She said that writing helped her make sense of the distance between the doctor she had been and the patient she had become.
Hollis lived in a small flat with a garden and a rose bush she did not plant. She was cared for in her final months by her partner of fifteen years, Claire, and by a team of nurses who became like family. She died on the afternoon of December 30th, 2020, at the age of fifty. The rose bush bloomed again the following spring. It still blooms every June.
This is her only book. She wrote it in the belief that some stories are too important to leave unsaid, especially the ones about breath, and memory, and the small beauties that carry us through.