The Odd Job
Charlotte MacLeod
iul. 2021 · Sarah Kelling and Max Bittersohn Mysteries Cartea 11 · Highbridge Audio
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A museum murder puts Boston's married art sleuths to work: "The screwball mystery is Charlotte MacLeod's cup of tea" (Chicago Tribune).
When the doddering patrons of the Wilkins Museum learned that dozens of their priceless masterworks had been stolen and replaced by forgeries, there was no one to turn to but Sarah Kelling and Max Bittersohn—the savviest art detectives of the Boston upper crust. Nabbing the crooks was easy, but finding the missing paintings has proven trickier. Years later, the collection's prized Titian is still lost, and the new director, loudmouthed cattle baron Elwyn Fleesom Turbot, is getting impatient. And things get even more troublesome when members of his staff begin to die. It starts when Dolores Tawne, the elderly, bossy museum administrator, is stabbed through the base of her skull with an antique hatpin. Inside the dead woman's safe deposit box Sarah finds clues to a conspiracy that stretches back decades and a way to stop the murders that are still to come.
When the doddering patrons of the Wilkins Museum learned that dozens of their priceless masterworks had been stolen and replaced by forgeries, there was no one to turn to but Sarah Kelling and Max Bittersohn—the savviest art detectives of the Boston upper crust. Nabbing the crooks was easy, but finding the missing paintings has proven trickier. Years later, the collection's prized Titian is still lost, and the new director, loudmouthed cattle baron Elwyn Fleesom Turbot, is getting impatient. And things get even more troublesome when members of his staff begin to die. It starts when Dolores Tawne, the elderly, bossy museum administrator, is stabbed through the base of her skull with an antique hatpin. Inside the dead woman's safe deposit box Sarah finds clues to a conspiracy that stretches back decades and a way to stop the murders that are still to come.
A museum murder puts Boston's married art sleuths to work: "The screwball mystery is Charlotte MacLeod's cup of tea" (Chicago Tribune).
When the doddering patrons of the Wilkins Museum learned that dozens of their priceless masterworks had been stolen and replaced by forgeries, there was no on...
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Charlotte MacLeod was born in Bath, New Brunswick, Canada on November 12, 1922. She immigrated to the United States in 1923 and became a naturalized citizen in 1951. She attended the School of Practical Art, now the Art Institute of Boston. She was a staff artist and copywriter at Stop and Shop supermarkets from 1945 to 1952. She also worked at N.H. Miller & Co. advertising firm from 1952 to 1982 starting as a copy chief and ending up as a Vice President. She wrote two series under her own name, a Sarah Kelling and Max Bittersohn Mystery series and the Peter Shandy Mystery series. She also wrote two series under the pseudonym Alisa Craig, the Madoc and Janet Rhys Mystery series and the Grub-and-Stakers series. She also wrote Had She But Known: A Biography of Mary Roberts Rinehart and a dozen juvenile books. She won five American Mystery awards and a Nero Wolfe award. She edited the anthologies Mistletoe Mysteries and Christmas Stalkings. She is the co-founder and past president of the American Crime Writers League. She died on January 14, 2005 at the age of 82.
Charlotte MacLeod was born in Bath, New Brunswick, Canada on November 12, 1922. She immigrated to the United States in 1923 and became a naturalized citizen in 1951. She attended the School of Practical Art, now the Art Institute of Boston. She was a staff artist and copywriter at Stop and Shop s...
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