Imagining Elsewhere

· Baker &Taylor · Narrated by Suzanne Elise Freeman
Audiobook
9 hr 28 min
Unabridged
Eligible
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About this audiobook

Being a better person can be a lot harder than it looks.

It’s 1988, and former bully Astrid is forced to move from Queens to the small town of Elsewhere. Even though this town is totally weird, Astrid sees the move as a way to reinvent herself. That is, until Candi—the teenage tyrant with supernatural powers who rules Elsewhere—decides she wants Astrid to be her new bestie.

Having to choose between the perks and safety of being the Queen B’s best friend and the desire to be a better person could literally cost Astrid her life. As Astrid and her new friends begin to dig into the dark history of Elsewhere and the source of Candi’s powers, they form a dangerous plan to resist Candi’s compulsion and to escape Elsewhere, or else be doomed to live under Candi’s rule forever.

Being a better person can be a lot harder than it looks. It’s 1988, and former bully Astrid is forced to move from Queens to the small town of Elsewhere. Even though this town is totally weird, Astrid sees the move as a way to reinvent herself. That is, until Candi—the teenage tyrant with superna...

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About the author

Sara Hosey holds a PhD in American literature from the University of Wisconsin–Madison and is an associate professor of English and women and gender studies at Nassau Community College. Her book, Home Is Where the Hurt Is: Media Depictions of Wives and Mothers (McFarland, 2019), looks at representations of the domestic in popular culture. Sara grew up in Queens and now lives in Sea Cliff, New York, with her partner and their children. She is working on a second novel.

Suzanne Elise Freeman is a voice talent and Earphones Award–winning audiobook narrator.

Sara Hosey holds a PhD in American literature from the University of Wisconsin–Madison and is an associate professor of English and women and gender studies at Nassau Community College. Her book, Home Is Where the Hurt Is: Media Depictions of Wives and Mothers (McFarland, 2019), looks at represen...

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