Pickman’s Model
Um þessa hljóðbók
Widely regarded as one of the one of the greatest horror writers of the twentieth century, H. P. Lovecraft's stories are known for their profound indifference to human beliefs and affairs. Here is "Pickman's Model," one of his more terrifying stories.
Richard Upton Pickman is a Bostonian painter, notorious for creating horrifying paintings. His ghoulish works are brilliant, but they're so graphic that his membership in the Boston Art Club is revoked and he finds himself shunned by his fellow artists. Then Pickman mysteriously disappears, and his friend finds himself on a mission of horror and evil to discover the truth.
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H. P. Lovecraft (1890–1937) was an American author who achieved posthumous fame through his influential works of horror fiction. Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant twentieth-century authors in his genre. He was born in Providence, Rhode Island, where he lived most of his life. His relatively small corpus of work consists of three short novels and about sixty short stories.
Oliver Wyman, a native New Yorker, has appeared on stage as well as in film, and television. He is one of the founders of New York City's Collective Unconscious theater, and his performances include the award-winning “reality play” Charlie Victor Romeo and A.R. McElhinney's cult classic film A Chronicle of Corpses. He also lent his voice to several episodes of the Teenage Mutant Ninja Turtles. Oliver's work as a narrator extends to over 150 audiobooks and has won many him awards, including Audie awards for his reading of Lance Armstrong's autobiography, It's Not About the Bike, and Thomas L. Friedman's The World is Flat. He also read James Frey's A Million Little Pieces, Tim Dorsey's Atomic Lobster, and David Weber's By Schism Rent Asunder. Oliver has won five Audie Awards from the Audio Publisher's Association, fourteen Earphone Awards from AudioFile Magazine, and two Listen Up Awards from Publisher's Weekly. Oliver was named a 2008 Best Voice in Nonfiction & Culture by AudioFile Magazine.
