Monsters: a reckoning
Alison Croggon
oct 2021 · Tantor Media Inc · Narrado por Larissa Gallagher
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"This figure I see in the foreground, this me. How monstrous am I? What does it mean to be a monster? From Latin monstrum, meaning an abomination . . . grotesque, hideous, ugly, ghastly, gruesome, horrible . . .
"I was born as part of a monstrous structure—the grotesque, hideous, ugly, ghastly, gruesome, horrible relations of power that constituted colonial Britain. A structure that shaped me, that shapes the very language that I speak and use and love. I am the daughter of an empire that declared itself the natural order of the world."
From award-winning writer and critic Alison Croggon, Monsters is a hybrid of memoir and essay that takes as its point of departure the painful breakdown of a relationship between two sisters. It explores how our attitudes are shaped by the persisting myths that underpin colonialism and patriarchy, how the structures we are raised within splinter and distort the possibilities of our lives and the lives of others. Monsters asks how we maintain the fictions that we create about ourselves, what we will sacrifice to maintain these fictions—and what we have to gain by confronting them.
"I was born as part of a monstrous structure—the grotesque, hideous, ugly, ghastly, gruesome, horrible relations of power that constituted colonial Britain. A structure that shaped me, that shapes the very language that I speak and use and love. I am the daughter of an empire that declared itself the natural order of the world."
From award-winning writer and critic Alison Croggon, Monsters is a hybrid of memoir and essay that takes as its point of departure the painful breakdown of a relationship between two sisters. It explores how our attitudes are shaped by the persisting myths that underpin colonialism and patriarchy, how the structures we are raised within splinter and distort the possibilities of our lives and the lives of others. Monsters asks how we maintain the fictions that we create about ourselves, what we will sacrifice to maintain these fictions—and what we have to gain by confronting them.
"This figure I see in the foreground, this me. How monstrous am I? What does it mean to be a monster? From Latin monstrum, meaning an abomination . . . grotesque, hideous, ugly, ghastly, gruesome, horrible . . .
"I was born as part of a monstrous structure—the grotesque, hideous, ugly, ghastly...
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Acerca del autor
Alison Croggon was born in the Transvaal, South Africa in 1962. She worked as a journalist for the Melbourne Herald until 1985. Her first book of poems, This Is the Stone, was published in 1991 and won the Anne Elder Award and the Dame Mary Gilmore Prize. Her other books of poetry include The Blue Gate, Attempts at Being, The Common Flesh: New and Selected Poems, and Theatre. She also writes the children's fantasy series Pellinor. Her children's novel, The River and the Book, won the 2016 Wilderness Society Environment Award for Children¿s Literature, Fiction. She is Melbourne theatre critic for The Australian and keeps a blog of theatre criticism called Theatre Notes. In 2009, she was named Geraldine Pascall Critic of the Year. She has also written and had preformed nine theatrical works including the operas Gauguin and The Burrow, and the plays Lenz, Samarkand and The Famine, and Blue.
Alison Croggon was born in the Transvaal, South Africa in 1962. She worked as a journalist for the Melbourne Herald until 1985. Her first book of poems, This Is the Stone, was published in 1991 and won the Anne Elder Award and the Dame Mary Gilmore Prize. Her other books of poetry include The Blu...
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