The Bellamy Trial

· Library of Alexandria · AI-narrated by Ava (from Google)
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10 hr 45 min
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About this audiobook

The red-headed girl sank into the seat in the middle of the first row with a gasp of relief. Sixth seat from the aisleÑyes, that was right; the label on the arm of the golden-oak chair stared up at her reassuringly. Row A, seat 15, Philadelphia Planet. The ones on either side of her were empty. Well, it was a relief to know that there were four feet of space left unoccupied in Redfield, even if only temporarily. She was still shaken into breathless stupor by the pandemonium in the corridors outsideÑthe rattling of regiments of typewriters, of armies of tickers, the shouts of infuriated denizens of telephone booths, the hurrying, frantic faces of officials, the scurrying and scampering of dozens of rusty-haired freckled-faced insubordinate small boys, whose olive-drab messenger uniforms alone saved them from extermination; the newspaper menÑyou could spot them at once, looking exhausted and alert and elaborately bored; the newspaper women, keen and purposeful and diverted; and above and around and below all these licensed inhabitants, the crowdÑa vast, jostling, lunging beast, with one supreme motive galvanizing it to actionÑan immense, a devouring curiosity that sent it surging time and time again against the closed glass doors with their blue-coated guardians, fragile barriers between it and the consummation of its desire. For just beyond those doors lay the arena where the beast might slake its hunger at will, and it was not taking its frustration of that privilege amiably.

The red-headed girl set her little black-feathered hat straight with unsteady fingers. She wasnÕt going to forget that crowd in a hurry. It had growled at herÑactually growledÑwhen sheÕd fought her way through it, armed with the magic of the little blue ticket that spelled open sesame as well as press section. Who could have believed that even curiosity would turn nice old gray-headed ladies and mild-looking gentlemen with brown moustaches and fat matrons with leather bags and thin flappers with batik scarfs into one huge ravenous beast? She panted again, reminiscently, at the thought of the way theyÕd shoved and squashed and kneadedÑand then settled down to gratified inspection.

So this was a courtroom!

Not a very large or very impressive room, looked at from any angle. It might hold three hundred people at a pinch, and there were, conservatively, about three thousand crowding the corridors and walking the streets of Redfield in their efforts to expand its limits. Fan-shaped, with nine rows of the golden-oak seats packed with grimly triumphant humanity, the first three neatly tagged with the little white labels that metamorphosed them into the press section. Golden-oak panelling half-way up the walls, and then whitewashed plasterÑrather dingy, smoky plaster, its defects relentlessly revealed by the pale autumnal sunshine flooding in through the great windows and the dome of many-coloured glass, lavish and heartening enough to compensate for much of the grimness and the grime.

Near enough for the red-headed girl to touch was a low rail, and beyond that rail a little empty space, like a stageÑempty of actors, but cluttered with chairs and tables. At the back was a small platform with a great high-backed black leather chair, and a still smaller platform on a slightly lower level, with a rail about it and a much more uncomfortable-looking chair. The judgeÕs seat, the witness boxÑshe gave a little sigh of pure uncontrollable excitement, and a voice next to her said affably:

Ă’Hi! Greetings, stranger, or hail, friend, as the case may be. Can I get by you into the next seat without damaging you and those feet of yours materially?Ă“

The red-headed girl scrambled guiltily to the offending feet, unobtrusive enough in themselves, but most obtrusively extended across the narrow passage, and turned a flushed and anxious countenance on her cheerful critic, now engaged in folding himself competently into the exiguous space provided by the golden-oak chair. A tall lanky young man, with a straight nose, mouse-coloured hair, shrewd gray eyes, and an expression that was intended to be that of a hard-boiled cynic, and that worked all right unless he grinned. He wore a shabby tweed suit, a polka-dotted tie, had three very sharp pencils, and a good-sized stack of telegraph blanks clasped to his heart. Obviously a reporterÑa real reporter. The red-headed girl attempted to conceal her gold pencil and leather-bound notebook, smiling tentatively and ingratiatingly.

The red-headed girl sank into the seat in the middle of the first row with a gasp of relief. Sixth seat from the aisleÑyes, that was right; the label on the arm of the golden-oak chair stared up at her reassuringly. Row A, seat 15, Philadelphia Planet. The ones on either side of her were empty. W...

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About the author

Frances Noyes Hart was an American writer best known for her works in the legal thriller genre. Her most famous work, "The Bellamy Trial," became a bestseller and was praised for its insightful portrayal of courtroom dynamics and legal intricacies. Hart's writing style, known for its suspense and attention to detail, has made her an influential figure in the world of American mystery and legal fiction. Anne Hancock began her career with the Library of Congress's National Library Service (NLS) Talking Books Program, where she has narrated more than 300 audiobooks in a variety of genres. An AudioFile Earphones Award winner, she has lived in France and the Netherlands and uses her training in the languages of both countries in her narration. In addition, she has successfully narrated books with English and Irish accents.
Frances Noyes Hart was an American writer best known for her works in the legal thriller genre. Her most famous work, "The Bellamy Trial," became a bestseller and was praised for its insightful portrayal of courtroom dynamics and legal intricacies. Hart's writing style, known for its suspense and...

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