Z-COMM: KILLPOINT
About this audiobook
YOUR OPTIONS ARE ZILCH. YOUR ODDS TO WIN ARE ZERO.
YOUR CHANCES DON'T EVEN EXIST.
Z-COMM: KILLPOINT
PROBLEM SOLVED
Welcome to Z-COMM: KILLPOINT, featuring the elite special ops and counter-terrorism unit that made Rambo cry like a baby. Z-COMM: KILLPOINT, the thriller that made thousands of Brad Thor, Tom Clancy, and Vince Flynn readers David Alexander junkies.
Z-Comm (short for “Z-Commando”), a five-man elite mercenary team, hits the ground running, engaging in continuous combat and urban warfare around the world. The team effectively operates like a four-man and one-woman Mission Impossible battling overwhelming odds. The action-driven narrative depicts urban carnage, intense firefights, and the team chasing leads from one bloody confrontation to the next. A central theme is the legitimacy and spectacle of violence used outside legal boundaries to defeat extreme threats. Z-Comm operates as a mercenary force where brutal force is justified within the story’s context as the only antidote to terrorism and Neo-fascist threats to the safety of society.
When governments fail and diplomacy collapses, one elite unit answers the call—Z-Comm. Handpicked, battle-hardened, and operating outside conventional rules, shadow warriors who live and fight outside the conventional rules of engagement against impossible odds, recruited for deniable, high-risk covert missions that the United States government can't officially recognize or sanction. This covert strike force takes on the world’s most extreme threats—from Neo-Nazi insurgencies on American soil to global terrorist plots targeting world leaders. Now, for the first time, experience the complete Z-Comm saga from A to Z.
BOOK 1: Swastika
A Nazi faction seizes control of an American town—and a nuclear missile base. Z-Comm must infiltrate, resist, and eliminate the threat before catastrophe strikes.
BOOK 2: Killpoint
A terrorist conspiracy targets a global summit in Venice, threatening mass annihilation and a new world order. Only Z-Comm stands in the way.
BOOK 3: M.I.A.
A high-stakes mission tied to missing soldiers pulls the team into a dangerous conspiracy where nothing is what it seems.
BOOK 4: Tempest
Bioweapons that make COVID look like jock itch are primed for deployment against the United States and its NATO allies.
Discover more
About the author
David Alexander is a USA Today and New York Times bestselling author whose books have sold over five million copies. He is a graduate of Columbia University and Paris Sorbonne. David Alexander's novels and nonfiction titles have won critical acclaim from USA Today, The New York Times, The London Times, The Los Angeles Times, Publishers Weekly, The Wall Street Journal and many other venues in the US, UK, Canada and Australia.
His prizewinning thriller, Threatcon Delta: Assault on the Pentagon, reached first place on numerous bestseller lists including those of The New York Times and USA Today. The Times called Threatcon Delta, "... surely one of the best technothrillers to come along in a great while." USA Today also praised the thriller, declaring, "Alexander once again turns newspaper headlines into riveting high-tech military action fiction with that special combination of cinematic thrills and chills and fly-on-the-wall accounts of back room crisis management in the making ..."
Dubbed "an Ian Fleming for the 21st Century" by one reviewer, David Alexander has written and published in virtually every literary category, including novels, novelettes, short fiction, poetry, essays and film scripts. Investigative journalism, technical writing on defense-related subjects and short fiction over Alexander's byline have appeared in US and international periodicals that have ranged from the glossy pages of Penthouse Magazine to the more sober leaves of the global defense journal Military Technology.
His books and shorter writings have been translated into seven languages, including Italian, German and Japanese. Alexander is an inveterate traveler and among the alumni of literary passengers to have boarded the Orient-Express; he has often used it as a basis for plot and reportage. Unlike the authors who have sold out, who are as interchangeable as cogs in a wheel, author David Alexander prefers to throw away the rule book whenever possible. Each new novel he pens must challenge him and must present a story told powerfully, yet freshly and originally. Each effort must compel him to deliver the best he has to offer.
